Márton Gresa

Illuminated light surfaces as the synonyms of the screen, the central logo of the consummate society where the dominance of attention and its scale shape our social life and cultural values ​​at a radical pace. This is followed by duplicates and effigies that exponentially overwrite themselves and melt into the scenery of everyday life. In this picture, the free flow of information and its unlimited usability basically alter the work of the artpiece and its originality. In this unimaginative uncertain dimension, life is constantly blended with fiction. Thus, all types of documentation raise the question that where is the illusion, where is it true and where is it played.

Reflecting on all of these, I use painting as the instrument of study, and with traditional realistic values ​​and digital imaging tools I worked out new ritual and strategy.

Thus, in the present, the expression "new objectuality" known from realism, in this case, tries to understand the heterogeneity of a dematerialized world of our time between reality and unrealism. And although painting tendencies seem to be in the background, the painting as an ,,image” is a kind of idol, the most important idea of ​​the current mass culture.

Ever since most of the people in society expect to be "screened", people have an ineluctable desire to construct an electronic copy of their lives. The screen works here as a window that, besides passive presence, requires only passive viewing and "attention", so it seem as a curtain or veil in front of the window.

1993 Pápa, Hungary
Living and working in Budapest


2017- ESADMM Marseille
2013- Hungarian University of Fine Arts

Károlyi Zsigmond, Ötvös Zoltán,Chesslay György, Horváth Dániel


2016  „Look to shine” Udvarház Gallery, Veresegyház (HU)

Group Shows:

2018  Art Students Week 2017 Winners / EP7, Paris (FR)
2018  65. Vásárhelyi Őszi tárlat ( exhibition from the award winners) / Bartók 1 Galéria, Budapest (HU)
2018  65. Vásárhelyi Őszi tárlat / Alföld Galéria, Hódmezővásárhely (HU)
2018  Clear Fracture / ALL OU CAN EAT Vol. 1 / Udvarház Gallery, Veresegyház (HU)
2018  „Angel” / Újlipótvárosi Gallery, Budapest (HU)
2018  Blitz Auction-Exibition / ZSIPIL, Budapest (HU)
2017  „Deficit” / Udvarház Gallery, Veresegyház (HU)
2017  „KÉPZŐ” - DiákHitel Competition / A38 Ship, Budapest (HU)
2017  Y Generation Art Fair - Godot Pop up / ZSILIP, Budapest (HU)
2017  „Expelled”  Collection Kepesita – (Competition: The first 10) / Eleven Blokk, Budapest (HU)
2017  Joseph Semah: „About Frendship/The guard of the gate”  / Art Market Budapest (HU) (member of performance)
2017  „….” (Day of painting / A  festészet napja) /  B32 Gallery, Budapest  (HU)
2017  Renaissance Now / Léna & Roselli Gallery, Budapest (HU)
2017  Agora Budapest / Széphárom Közösségi Tér, Budapest (HU)
2017  PIKNIK /  Friche la Belle de Mai, Marseille (FR)
2016  Ludwig Pályázat / Barcsay Room, Budapest (HU)
2016  Amadeus / Hungarian University of Fine Arts / Barcsay Room, Budapest (HU)
2015  Amadeus / Hungarian University of Fine Arts / Barcsay Room, Budapest (HU)
2015  Eleven Tavasz : „1 Művész 1 Porta” / Defo Labor + PakkArt, Budapest (HU)
2015  3 x 3 with Nomád Support Brigád / OFF Biennale, Budapest (HU)
2015  „The other Half” / Kőrösi Csoma Sándor Kőbányai Kulturális Központ, Budapest (HU)
2015  „Water” / Udvarház Gallery, Veresegyház (HU)
2014  III. Mazars Gallery Exhibitons, Budapest (HU)
2013  Budapest Art expo Fresh, Malom Gallery, Szentendre (HU)
2013  „Flying” Udvarház Gallery, Veresegyház (HU)


2018  65. Vásárhelyi Őszi Tárlat : Kurucz D. István Prize
2017  Prix Encre de Chine - Art Students Week 2017 by Faber Castell ; Paris
2017   Erasmus Scholarship: Marseille
2016   Amadeus Creator Scholarship; Budapest